Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After
  • Load image into Gallery viewer, Spike ePaper (Issue 49): Net Art and After

Spike ePaper (Issue 49): Net Art and After

Regular price
€8,00
Sale price
€8,00
Regular price
Sold out
Unit price
per 

Karen Archey profiles 70s Polish avantgarde artist duo KwieKulik; Vincent Honoré interviews Bruce McLean; and Austrian director Daniel Hoesl talks about his debut feature film Soldate Jeannette. Benoît Maire continues the discussion on the role of objects in contemporary thought; Ingo Niermann stumbles upon the Gallery of the Unbelievers; a speculation on the online game CowClicker by Alexander Scrimgeour; and curator Antony Hudek looks back on Palle Nielsen’s “Model for a Qualitative Society” (1968). Then Timo Feldhaus, Piper Marshall, Krist Gruijthuijsen and others recall shows that left them with an ambivalent verdict.