Spike ePaper (Issue 31)
Spike ePaper (Issue 31)
Spike ePaper (Issue 31)
Spike ePaper (Issue 31)
Spike ePaper (Issue 31)
Spike ePaper (Issue 31)
Spike ePaper (Issue 31)
Spike ePaper (Issue 31)
Spike ePaper (Issue 31)
  • Load image into Gallery viewer, Spike ePaper (Issue 31)
  • Load image into Gallery viewer, Spike ePaper (Issue 31)
  • Load image into Gallery viewer, Spike ePaper (Issue 31)
  • Load image into Gallery viewer, Spike ePaper (Issue 31)
  • Load image into Gallery viewer, Spike ePaper (Issue 31)
  • Load image into Gallery viewer, Spike ePaper (Issue 31)
  • Load image into Gallery viewer, Spike ePaper (Issue 31)
  • Load image into Gallery viewer, Spike ePaper (Issue 31)
  • Load image into Gallery viewer, Spike ePaper (Issue 31)

Spike ePaper (Issue 31)

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Thai artist Rirkrit Tiravanija discusses his art’s origins in Far Eastern thought. Franz West on the importance of reading in his life and work. Artur Żmijewski talks us through his 7th Berlin Biennale. Portraits of Lili Reynaud-Dewar, Paul Sietsema, and Galeria Stereo in Poznań. A profile of the exhibition space Extra City in Antwerp. Aaron Moulton watches Marina Abramović’s film “The Artist is Present”.