Spike ePaper (Issue 30)
Spike ePaper (Issue 30)
Spike ePaper (Issue 30)
Spike ePaper (Issue 30)
Spike ePaper (Issue 30)
Spike ePaper (Issue 30)
Spike ePaper (Issue 30)
Spike ePaper (Issue 30)
Spike ePaper (Issue 30)
  • Load image into Gallery viewer, Spike ePaper (Issue 30)
  • Load image into Gallery viewer, Spike ePaper (Issue 30)
  • Load image into Gallery viewer, Spike ePaper (Issue 30)
  • Load image into Gallery viewer, Spike ePaper (Issue 30)
  • Load image into Gallery viewer, Spike ePaper (Issue 30)
  • Load image into Gallery viewer, Spike ePaper (Issue 30)
  • Load image into Gallery viewer, Spike ePaper (Issue 30)
  • Load image into Gallery viewer, Spike ePaper (Issue 30)
  • Load image into Gallery viewer, Spike ePaper (Issue 30)

Spike ePaper (Issue 30)

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David Cronenberg in conversation with Markus Schinwald about cinematic sublimation and blank beginnings. An interview with Tom Burr about camp, appropriation, and the political. We ask players in the art world about Occupy Wall Street. Fabrice Stroun on Jim Shaw’s key work, O-ismus. Annika von Hauswolff on Maurice Blanchot’s “The Madness of the Day”.